Shute nevil on the beach

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The 50s and 60s were a boom time for popular dystopias, and the loose environmental future-fear of Wyndham’s The Day of the Triffids, Christopher’s The Death of Grass and Harrison’s Make Room! Make Room! probably explain why they’re once again in vogue. The reason why On the Beach is so well known is easily seen: its bold conceit is that it describes the last months of human life on earth following a nuclear war. When I saw that On the Beach was published in 1957, three years before Shute’s death, I wondered if it was a rare example where an author’s most famous book is one written late in his career. The rest are, I understand, print-on-demand editions and have identical text-only covers a little like Faber poetry books. Now, Vintage Classics have reissued all his novels, though only four ( A Town Like Alice, Pied Piper, Requiem for a Wren and this one) have been given cover illustrations. (I didn’t say it was a very good excuse.) Until recently, the curious House of Stratus kept him in print here, in editions that looked more like textbooks than novels. Nevil Shute was always one of those authors I intended to read, but my excuse for not having done so was that his books weren’t available in nice editions in the UK.



shute%20nevil%20on%20the%20beach